The poems of Witch Wife are spells, obsessive incantations to exorcise or celebrate memory, to mourn the beloved dead, to conjure children or keep them at bay, to faithfully inhabit one’s given body. In sestinas, villanelles, hallucinogenic prose poems and free verse, Kiki Petrosino summons history’s ghosts—the ancestors that reside in her blood and craft — and sings them to life. Poet Kiki Petrosino was born in Baltimore, Maryland, the daughter of an African American mother and an Italian American father. She earned a BA from the University of Virginia, an MA in humanities from the University of Chicago, and an MFA from the Iowa Writers’ Workshop. She is the author of Fort Red Border (), Hymn for the Black Terrific (), and Witch Wife (). Kiki Petrosino was born in Baltimore and received her BA from the University of Virginia. She spent two years in Switzerland teaching English and Italian at a private school, after which she earned graduate degrees from both the University of Chicago and the Iowa Writers’ Workshop. Her poem, “You Have Made a Career of Not Listening,” was /5.
The poems of Witch Wife are spells, obsessive incantations to exorcise or celebrate memory, to mourn the beloved dead, to conjure children or keep them at bay, to faithfully inhabit one's given body. In sestinas, villanelles, hallucinogenic prose poems and free verse, Kiki Petrosino summons history's ghosts—the ancestors that reside in her blood and craft—and sings them to life. petrosino_www.doorway.ru3. Kiki Petrosino reads three poems from her new collection, Witch Wife, published in December by Sarabande Books. The visceral poems in Kiki Petrosino's collection Witch Wife brilliantly explore themes of race, gender, and motherhood. -- Largehearted Boy These dark liturgies speak from the deep spaces of the Earth and of the human heart, painting 21st century rational angst with the blood and broken teeth and forest roots of the grimmest classic fairy tales.
Overview. The poems of Witch Wife are spells, obsessive incantations to exorcise or celebrate memory, to mourn the beloved dead, to conjure children or keep them at bay, to faithfully inhabit one’s given body. In sestinas, villanelles, hallucinogenic prose poems and free verse, Kiki Petrosino summons history’s ghosts—the ancestors that reside in her blood and craft—and sings them to life. In Witch Wife, Petrosino’s characteristic formal and syntactic daring becomes even more lush as she challenges both our way of hearing and making sense of our world. These poems of the body, of the ecstatic utterance that ends in grief, or glory, or the ghost’s head turning toward us, seem to me to be an essential addition to this remarkable era of poetry we are in. Petrosino helps us see not just what we want, but what it means to want so many things at once. Her words kindle. Her poems are pure fire. Witch Wife might be her finest burn yet." --Amber Tamblyn "Kiki Petrosino's lush and stunning Witch Wife is a hothouse in winter, incongruous and adamantly fertile, full of strange blossoms, site of refuge and danger. Someone has drawn pictures in all the steamy windows.
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